Kat Chow. (2021). Seeing Ghosts: A Memoir. Grand Central Publishing.

Kat Chow. 2021. Seeing Ghosts: A Memoir. Grand Central Publishing.

Kat Chow, Seeing Ghosts: A Memoir. Grand Central Publishing, 2021.

Kat Chow. Seeing Ghosts: A Memoir. Grand Central Publishing, 2021.

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     Kat Chow is a writer and a journalist. She was previously a reporter at NPR, where she was a founding member of the Code Switch team. Her work has appeared in The New York Times Magazine, The Atlantic, and on Radiolab, among others. She's one of Pop Culture Happy Hour's fourth chairs. She's received a residency fellowship from the Millay Colony and was an inaugural recipient of the Yi Dae Up fellowship at the Jack Jones Literary Arts Retreat.

   • name: Kat Chow

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Seeing Ghosts

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This "graceful, captivating" (New York Times Book Review) story from a singular new talent paints a portrait of grief and the search for meaning as told through the prism of three generations of her Chinese American family—perfect for readers of Helen Macdonald and Elizabeth Alexander.
Kat Chow has always been unusually fixated on death. She worried constantly about her parents dying—-especially her mother. A vivacious and mischievous woman, Kat's mother made a morbid joke that would haunt her for years to come: when she died, she'd like to be stuffed and displayed in Kat's future apartment in order to always watch over her. 
After her mother dies unexpectedly from cancer, Kat, her sisters, and their father are plunged into a debilitating, lonely grief. With a distinct voice that is wry and heartfelt, Kat weaves together a story of the fallout of grief that follows her extended family as they emigrate from China and Hong Kong to Cuba and America. Seeing Ghosts asks what it means to reclaim and tell your family’s story: Is writing an exorcism or is it its own form of preservation? The result is an extraordinary new contribution to the literature of the American family, and a provocative and transformative meditation on who we become facing loss.
AN NPR BOOKS WE LOVE 2021 PICK * A TIME MUST-READ BOOK OF 2021 PICK * A NEW YORK TIMESNOTABLE BOOK OF 2021 * A HARPER'S BAZAAR BOOK YOU NEED TO READ IN 2021 * A TOWN & COUNTRYBEST BOOK OF 2021 PICK * A FORTUNE BEST BOOK OF 2021 PICK 

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1. • premium: True
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     March 1, 2021
     

     Dragged down by cancer, kidney failure, and recurring pneumonia, Pulitzer Prize winner Bragg had his heart lifted by The Speckled Beauty--a rambunctious stray dog who also needed love. In Seeing Ghosts, a study of grief and family, journalist Chow opens with emigration from China and Hong Kong to Cuba and America and moves to her mother's death from cancer (75,000-copy first printing). From award-winning news producer and photojournalist Copaken, author of the New York Times best-selling Shutterbabe, Ladyparts contextualizes soured marriage, solo parenting, and dating while ill with the substandard treatment of women by U.S. health care. In I Left My Homework in the Hamptons, Grossberg reveals exactly what it's like to tutor the children of New York's wealthiest families (50,000-copy first printing). Author of the New York Times best-booked Ten Thousand Saints, Henderson explores a long-term marriage that has survived her husband's struggles with physical and mental illness in Everything I Have Is Yours (75,000-copy first printing). Ranging from 38 Grand Slam titles to embracing her sexual identity at age 51, King details a life lived spectacularly in All In. In Honor Bound, McGrath recounts serving as the first woman to fly a combat mission for the Marine Corps and efforts to unseat Mitch McConnell as Kentucky senator. Winner of the Graywolf Nonfiction Prize, Yangon, Myanmar-born, Bangkok- and San Jos�-raised Myint's Names for Light probes silence, absence, and death over three generations of her family, defined by postcolonial struggle. In Sometimes I Trip On How Happy We Could Be, a Roxane Gay Audacious Bookclub November Pick, Perkins plumbs racism, wealth, poverty, beauty, and more from the perspective of a Southern Black woman. Qu's Made in China captures the challenges of an immigrant childhood, which included a mother so brutally demanding that Qu finally complained to New York's Office of Children and Family Services. In This Will All Be Over Soon, Saturday Night Live cast member Strong addresses grief over a close cousin's death from glioblastoma in the midst of the pandemic (75,000-copy first printing)..

     Copyright 2021 Library Journal, LLC Used with permission.

2. • premium: True
   • source:
   • content:

     May 24, 2021
     Journalist Chow writes longingly about her mother, who died from cancer, in this intimate debut about a life shaped by loss. “It is not incorrect to say that for years, the way my family grieved my mother was to avoid acknowledging her altogether,” she writes. In an effort to preserve her mother’s memory after her mother’s death in 2004, Chow traced the story of her mother’s life, from her birth in China in 1955 through her troubled marriage with Chow’s father in Connecticut to her painful last days. Woven in are several other family specters, including her maternal grandmother’s death at age 41 (“it seemed all the Yu women died young”); generational schisms caused by the Chinese Communist Party; and the infant death of Chow’s older brother. While deep emotion drives her writing, Chow generally avoids oversentimentality and buoys what could otherwise be an overwhelmingly despondent narrative with bursts of joy and irreverence—such as memories of her mother’s fondness for “kissing books” and playing pranks on her children. The result is a moving depiction of grief at its most mundane and spectacular. Agent: Jin Auh, the Wylie Agency.

3. • premium: True
   • source:
   • content:

     July 15, 2021
     A Chinese American writer reflects on the profound loss of her mother to cancer and how it informed her adulthood. The poignancy of journalist Chow's debut memoir can be felt instantly when she confesses that she still struggles to comprehend her mother's death in 2004 and finds herself often rushing to glimpse her memorial. The author, a founding member of NPR's Code Switch team, considers herself unique in a traditional Chinese family that refused to openly grieve. As a loving tribute, Chow vibrantly tells the story of her mother's life with great dexterity and in luminous detail. Born in China, Chow's mother immigrated to America to attend college and ended up charming her father at a tag sale, which led to a problematic marriage riddled with bickering, unrest, and money problems. Honoring her family's ghosts, the author also writes movingly about the crushing death of her brother just an hour after his premature birth, the steady decline of her mother's health as cancer ravaged her, and how the early deaths of the women in her family gives her both pause and cause for concern. Chow fondly recalls how her mother looked while dressing in her closet for work each morning and "how our bodies were similar, that I was an extension of you." Her mother hid internal aches she blamed on age but were later revealed as symptoms of her terminal disease. There is levity braided into the memories, as well: Chow's mother telling her, at age 9, that she wanted to be stuffed after her death so she could "sit in your apartment and watch you all the time," fun family road trips, and her mother's penchant for practical jokes. By uniting family memories, elements of Chinese culture, and an intimate perspective, Chow wraps tragedy and history into an affecting memorial. A powerful remembrance of a family unmoored by the loss of its matriarch.

     COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

4. • premium: True
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     Starred review from July 1, 2021
     The ghosts Chow writes about in her elegiac memoir are both literal and metaphorical. In lyrical and probing vignettes, she explores the spaces left behind when someone dies and how the loss reverberates through generations. Chow recounts seeing flashes of her mother, who died when Chow was in high school, sometimes reflected in her own behavior but also, more frequently and more startlingly, glimpsed out of the corner of her eye. Jumping back and forth in time, Chow considers how her parents were also haunted by losing a parent early on, the loss of a baby brother before she was born, family immigration experiences, and her relationships with her siblings and hoarder father. Deeply personal and intimate stories rooted in her family history in China and Hong Kong seamlessly flow into examinations of larger historical trends and sociological issues. Readers familiar with Chow's reporting on NPR will not be surprised at her storytelling skills, which shine even more brightly here. This haunting, deeply moving, and beautifully written chronicle of the immense grief that once tore Chow's family apart and now binds them will resonate with every reader.

     COPYRIGHT(2021) Booklist, ALL RIGHTS RESERVED.

5. • premium: True
   • source:
   • content:

     August 1, 2021
     

     Journalist Chow confronts the loss of her mother in a memoir that illustrates the way grief can become a fixture in one's life--grief for the lost loved one and for all that remains unspoken and elusive. Chow's mother was born in China and emigrated to the U.S. to attend college, where she met her husband. When Chow was growing up, a failed restaurant venture and an ever-present sense of financial precarity fueled her parents' frequent arguments. After her mother's death from cancer in 2004, her older siblings head to college, and Chow is left to forge a relationship with her reticent father. She becomes a kind of reservoir for her family, absorbing their pain, unresolved antagonisms, and memories both warm and haunting. Her memoir is a vivid portrait of her loving and flawed Chinese American family. The book is a tribute to Chow's spirited mother, but it's also a revealing portrait of three daughters trying to negotiate a complicated relationship with their father. VERDICT Chow's book is an important and welcome addition to a growing catalogue of memoirs by a new generation of Asian American writers, including Michelle Zauner's Crying in H Mart and Anna Qu's Made in China.--Barrie Olmstead, Lewiston P.L., ID

     Copyright 2021 Library Journal, LLC Used with permission.

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This "graceful, captivating" (New York Times Book Review) story from a singular new talent paints a portrait of grief and the search for meaning as told through the prism of three generations of her Chinese American family—perfect for readers of Helen Macdonald and Elizabeth Alexander.
Kat Chow has always been unusually fixated on death. She worried constantly about her parents dying—-especially her mother. A vivacious and mischievous woman, Kat's mother made a morbid joke that would haunt her for years to come: when she died, she'd like to be stuffed and displayed in Kat's future apartment in order to always watch over her. 
After her mother dies unexpectedly from cancer, Kat, her sisters, and their father are plunged into a debilitating, lonely grief. With a distinct voice that is wry and heartfelt, Kat weaves together a story of the fallout of grief that follows her extended family as they emigrate from China and...

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