Hard-Boiled Wonderland and the End of the World
(OverDrive MP3 Audiobook, OverDrive Listen)
Across two parallel narratives, Murakami draws readers into a mind-bending universe in which Lauren Bacall, Bob Dylan, a split-brained data processor, a deranged scientist, his shockingly undemure granddaughter, and various thugs, librarians, and subterranean monsters collide to dazzling effect. What emerges is a novel that is at once hilariously funny and a deeply serious meditation on the nature and uses of the mind.
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Haruki Murakami. (2018). Hard-Boiled Wonderland and the End of the World. Unabridged Books on Tape.
Chicago / Turabian - Author Date Citation (style guide)Haruki Murakami. 2018. Hard-Boiled Wonderland and the End of the World. Books on Tape.
Chicago / Turabian - Humanities Citation (style guide)Haruki Murakami, Hard-Boiled Wonderland and the End of the World. Books on Tape, 2018.
MLA Citation (style guide)Haruki Murakami. Hard-Boiled Wonderland and the End of the World. Unabridged Books on Tape, 2018.
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- bioText: HARUKI MURAKAMI was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Hans Christian Andersen Literature Award, whose previous recipients include J. K. Rowling, Isabel Allende, and Salman Rushdie.
www.harukimurakami.com
Kirby Heyborne is an American musician and actor. After graduating from the University of Utah with a degree in economics, he received critical acclaim for his starring role in the award-winning World War II drama Saints and Soldiers. He has starred in many feature films and national commercials, and has appeared on Everwood and Free Ride. He is well known for his narration and voice work on several audiobooks. In addition, he can frequently be found touring the country with his singing and songwriting act. - name: Haruki Murakami
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- Hyperkinetic and relentlessly inventive, Hard-Boiled Wonderland and the End of the World is Haruki Murakami’s deep dive into the very nature of consciousness.
Across two parallel narratives, Murakami draws readers into a mind-bending universe in which Lauren Bacall, Bob Dylan, a split-brained data processor, a deranged scientist, his shockingly undemure granddaughter, and various thugs, librarians, and subterranean monsters collide to dazzling effect. What emerges is a novel that is at once hilariously funny and a deeply serious meditation on the nature and uses of the mind. - reviews
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- content: This novel is constructed around two parallel stories that are presented in alternating chapters. Odd-numbered chapters, which are read by Adam Sims and take place in "Hard-Boiled Wonderland," tell the realistic story of a human data processor in Tokyo whose world has turned upside down. Even-numbered chapters, narrated by Ian Porter, tell the story of a newcomer to "The End of the World," an odd town whose residents live behind a wall and surrender their shadows. Sims and Porter are well matched for the alternating chapters. Each is introspective as his character explores the meaning of the mind. While the two stories are distinct, the similarity in the pace and tone of both narrators keeps things smooth as the stories converge. J.E.M. (c) AudioFile 2010, Portland, Maine
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July 26, 2010
Murakami's two stories—which alternate, chapter by chapter—are told by two narrators, who split duties here. Ian Porter is the baritone, thoughtful and deliberative; Adam Sims is lighter spirited, flightier, and more amused by the bizarre comedy of Murakami's puzzle box. Both readers are well chosen, expertly picking their way across the minefield of this intoxicating, perplexing story. And their balancing act mimics the book's alternation of tones, styles, and stories. The recording is studded by occasional studio sound effects that are hardly necessary, but do manage to cleverly amplify the woozy, trippy disorientation of the tale. A Vintage paperback.
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- content: This audio version of Murakami's 1991 dystopian novel is extremely welcome, even if not completely successful. Murakami is aiming for a mash-up of futurist and fantasy tales, narrated by a nameless and mostly emotionless "Calcutech" worker who has been scientifically altered (he discovers halfway through the story) so that he can perform a mysterious computerlike function called data shuffling. It appears that he is the experiment of a brilliant rogue scientist who claims to be trying to save the world with the help of his plump, pink-garbed granddaughter. The level of Murakami's invention is dazzling, but the characters, intentionally robbed of memory and passion, leave Kirby Heyborne little choice but to play them as bland and flat, even in terrifying jeopardy. You see the problem. B.G. © AudioFile 2018, Portland, Maine
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September 2, 1991
There ought to be a name for the genre Murakami ( A Wild Sheep Chase ) has invented, and it might be the literary pyrotechno-thriller. The plot here is so elaborate that about 100 pages, one-fourth of the book, elapse before its various elements begin to fit together, but Murakami's lightning prose more than sustains the reader. Embellished with witticisms, wordplay and allusions to such figures as Stendhal heroes and Lauren Bacall, the tale is set in a Tokyo of the near future. Thanks to a wonderland of technology, an intelligence agent has had his brain implanted with a ``profoundly personal drama'' that allows him to ``launder'' and ``shuffle'' classified data, and all that he knows of the drama is its password, The End of the World. But after interference from a scientist and from the Semiotecs, a rival intelligence unit, the subconscious story is about to replace the agent's own perceptions of reality. Intertwined with the agent's attempts to understand his plight are scenes from The End of the World. Murakami's ingenuity and inventiveness cannot fail to intoxicate; this is a bravura performance.
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