Does Your House Have Lions?
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Sonia Sanchez. (2015). Does Your House Have Lions? Beacon Press.
Chicago / Turabian - Author Date Citation (style guide)Sonia Sanchez. 2015. Does Your House Have Lions? Beacon Press.
Chicago / Turabian - Humanities Citation (style guide)Sonia Sanchez, Does Your House Have Lions? Beacon Press, 2015.
MLA Citation (style guide)Sonia Sanchez. Does Your House Have Lions? Beacon Press, 2015.
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- bioText: Sonia Sanchez is an award-winning poet, activist, scholar, and formerly the Laura Carnell Professor of English and Women's Studies at Temple University, and is currently a poet-in-residence there. She is the author of sixteen books, including Like the Singing Coming off the Drums, Does Your House Have Lions?, Wounded in the House of a Friend, Shake Loose My Skin, and Morning Haiku.
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- From the American Poetry Society's 2018 Wallace Stevens Award–winner, this is an epic poem on kin estranged, the death of a brother from AIDS, and the possibility of reconciliation and love in the face of loss.
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- content: "Well-versed jazz fans will recognize the title of Sanchez's book-length poem as something sax and flute virtuoso Rahsaan Roland Kirk said. That musical association is appropriate: this is a musical poem, cast in the voices of a woman, her half-brother, his mother, their father, and, in the last of its four sections, ancestors, including distant African forebears. The story the poem's seven-line stanzas (rhymed ababbcc and appearing one per page) unfold is one of wayward men and familially faithful women. Father cut out when the son was little, and the son, when a teenager, left to pursue a faster life in New York City. But the son, who, we gather from hints in the imagery, is gay, has become mortally ill--with AIDS, further images hint, though neither sickness nor sexuality is named. His crisis brings the family voices together, and Sanchez's brilliant imagery, more evocative with every reading, makes them resound with life and emotion. The last stanza, in which ancestral voices...
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March 31, 1997
Rich in kin and kindred spirits, this panegyrical collection displays Sanchez's gift for crafting public poetry out of social issues and familial relationships. Straightforwardly, Sanchez (Wounded in the House of a Friend) documents her brother's death from AIDS, and the family's estrangement and reconciliation. Calculated tensions are expertly enhanced in rhyme royal stanzas where words and linebreaks virtually tumble across the page. The energy generated by this formal compression mirrors her brother's struggle against the confines of society: "and the days rummaging his eyes/ and the nights flickering through a slit/ of narrow bars. hips. thighs./ and his thoughts labeling him misfit/ as he prowled, pranced in the starlit/ city...." As the sequence of poems progresses, ancestral voices are introduced and the composition gives way to African words and rhythms: "i come, doctor./ mangi nyo captor." The stanzas compress and collapse as the brother's health deteriorates, ending in forceful dialogues between, for example, "brother" and "ancestor, female." Sanchez successfully evokes her brother's journey toward self-realization: "come here African/ come here African/ i am coming/ i am coming." In the volume's four sections, Sanchez moves from her brother's youth in the South, to his life in New York, and to his eventual death. Building in drama and preacherly cadences, this work is fluid, controlled and dexterously paced.
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