I Hold a Wolf by the Ears: Stories
(OverDrive MP3 Audiobook, OverDrive Listen)
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Laura van den Berg. (2020). I Hold a Wolf by the Ears: Stories. Unabridged Tantor Media, Inc.
Chicago / Turabian - Author Date Citation (style guide)Laura van den Berg. 2020. I Hold a Wolf By the Ears: Stories. Tantor Media, Inc.
Chicago / Turabian - Humanities Citation (style guide)Laura van den Berg, I Hold a Wolf By the Ears: Stories. Tantor Media, Inc, 2020.
MLA Citation (style guide)Laura van den Berg. I Hold a Wolf By the Ears: Stories. Unabridged Tantor Media, Inc, 2020.
Library | Owned | Available |
---|---|---|
Shared Digital Collection | 2 | 2 |
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- I Hold a Wolf by the Ears draws listeners into a world of wholly original, sideways ghost stories that linger in the mouth and mind like rotten, fragrant fruit. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg's trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Spain, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the thoughts we reveal to no one but ourselves. In "Lizards," a man mutes his wife's anxieties by giving her a La Croix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and violent consequences, while in "Karolina," a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother. I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what's left of life. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of "Slumberland," "that border between magic and annihilation," and further establishes herself as a defining fiction writer of our time.
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Starred review from February 17, 2020
In van den Berg’s startling, precise collection (after The Third Hotel), a series of women are haunted by various disturbances, often in Florida. “Last Night” sets the tone with an unnamed narrator spooked by the sudden closure of the bar downstairs from her apartment, causing her to look back on her would-be suicide many years earlier, when, as a teenager, she spent 10 months at a lax Florida psychiatric treatment facility for her suicidal ideation. “Slumberland” follows a woman’s aimless walks outside Orlando, Fla., during which she photographs the transient residents of a seedy motel while reflecting on her own state of impermanence. In “Lizards,” a woman is outraged by news reports of a judge’s alleged sexual assaults. Her husband, skeptical and fatigued by her talking, pacifies her with a sedative-laced seltzer he finds online. “Your Second Wife” follows a woman thrust into the desperation of the gig economy who becomes a “grief freelancer,” playing the roles of widowers’ dead wives. In the title story, the collection’s thematic climax, a woman poses as her more successful sister; her actions inform the various ways that the women in van den Berg’s stories often succumb to self-erasure or are erased by others. Van den Berg maintains an unsettling tone throughout these darkly imagined tales. This collection shows the author at her best.
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