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Lush Life: A Novel
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Published:
Farrar, Straus and Giroux 2008
Status:
Checked Out
Description

So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter . . . But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places—until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.
In Lush Life, Richard Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an Xray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism . . . reads like a movie in prose" (Michiko Kakutani, The New York Times).

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Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
03/04/2008
Language:
English
ISBN:
9781429944205
ASIN:
B00139XS1U
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Citations
APA Citation (style guide)

Richard Price. (2008). Lush Life: A Novel. Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation (style guide)

Richard Price. 2008. Lush Life: A Novel. Farrar, Straus and Giroux.

Chicago / Turabian - Humanities Citation (style guide)

Richard Price, Lush Life: A Novel. Farrar, Straus and Giroux, 2008.

MLA Citation (style guide)

Richard Price. Lush Life: A Novel. Farrar, Straus and Giroux, 2008.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Needs Update?:
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Date Added:
Jun 12, 2018 19:15:52
Date Updated:
Dec 06, 2020 02:48:56
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Apr 14, 2024 11:00:46
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OverDrive Product Record

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      • bioText: Richard Price is the author of several novels, including Clockers, Freedomland, and Samaritan. He won a 2007 Edgar Award for his writing on the HBO series The Wire.
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title
Lush Life
fullDescription

So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter . . . But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places—until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.
In Lush Life, Richard Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an Xray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism . . . reads like a movie in prose" (Michiko Kakutani, The New York Times).

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      • source: Michiko Kakutani, The New York Times
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        "Mr. Price's most powerful and galvanic work yet, a novel that showcases his sympathy and his street cred and all his skills as a novelist and screenwriter . . . A visceral, heart-thumping portrait of New York City and some of its residents, complete with soundtrack, immortalized in this dazzling prosemovie of a novel."

      • premium: False
      • source: Jennifer Reese, Entertainment Weekly (Grade: A)
      • content: "A big, powerful novel . . . Its real protagonist is the complicated, tragic, and endlessly fascinating American city street. . . . Outstanding."
      • premium: False
      • source: Michael Chabon, The New York Review of Books
      • content: "His prose has never felt more fluid, his plotting is spry. . . . Price's ability to capture and reproduce the rhythm, tone, and evanescent vocabulary of urban life cannot be over-praised: with all due respect to Elmore Leonard, Price is our best, one of the best writers of dialogue in the history of American literature."
      • premium: False
      • source: John H. Richardson, Esquire
      • content: "Richard Price knows how crime sounds and smells, and he knows that it's all tied up in race and class, two big subjects all too rare in American fiction. . . . Every sentence is a pleasure."
      • premium: False
      • source: Time
      • content: "Price interrogates the players--cops, perps, victims, witnesses--until each one gives up a great human truth hidden in his seedy little soul."
      • premium: True
      • source: Publisher's Weekly
      • content:

        Starred review from January 21, 2008
        Master of the Bronx and Jersey projects, Price (Clockers
        ) turns his unrelenting eye on Manhattan’s Lower East Side in this manic crescendo of a novel that explores the repercussions of a seemingly random shooting. When bartender Ike Marcus is shot to death after barhopping with friends, NYPD Det. Matty Clark and his team first focus on restaurant manager and struggling writer Eric Cash, who claims the group was accosted by would-be muggers, despite eyewitnesses saying otherwise. As Matty grills Eric on the still-hazy details of the shooting, Price steps back and follows the lives of the alleged shooters—teenagers Tristan Acevedo and Little Dap Williams, who live in a nearby housing project—as well as Ike’s grieving father, Billy, who hounds the police even as leads dwindle. As the intersecting narratives hurtle toward a climax that’s both expected and shocking, Price peels back the layers of his characters and the neighborhood until all is laid bare. With its perfect dialogue and attention to the smallest detail, Price’s latest reminds readers why he’s one of the masters of American urban crime fiction. Author tour.

      • premium: True
      • source: Publisher's Weekly
      • content:

        Starred review from April 28, 2008
        With a perfect ear for dialogue, Bobby Cannavale sounds like he grew up on the same patch of New York's Lower East Side that Price so effectively captures. It's a neighborhood in the midst of gentrification where an unplanned late-night murder of a truculent yuppie bartender by a teenage wannabe gangsta affects the lives of an assortment of disparate Manhattanites. Chief among them are Matty Clark, a dedicated and honorable detective, and Eric Cash, a restaurant manager temporarily accused of committing the crime. As Clark, Cannavale adds just the right mixture of weariness and frustration. He adds dimension and surprisingly subtle touches to all of Price's already rich characters—Clark's patently insincere superior officer, Cash's humane employer, a smarmy actor and, most importantly, the sad, angry, poetry-scribbling killer and the victim's omnipresent guilt-ridden, wraithlike father. Better yet, Cannavale delivers Price's sometimes mind-boggling slanguages (including cop-speak, Ebonics and a sort of restaurateur rap) as smoothly, effortlessly and clearly as an expertly trained Old Vic thespian interprets lines from the Bard. Simultaneous release with the FSG hardcover (Reviews, Jan. 21).

popularity
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So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter . . . But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places—until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.
In Lush Life, Richard Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an Xray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism . . . reads like a movie in prose" (Michiko Kakutani, The New York Times).

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