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After Claude
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Author:
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Published:
New York Review Books 2010
Status:
Available from OverDrive

Description

Harriet is leaving her boyfriend Claude, “the French rat.” That at least is how Harriet sees things, even if it’s Claude who has just asked Harriet to leave his Greenwich Village apartment. Well, one way or another she has no intention of leaving. To the contrary, she will stay and exact revenge—or would have if Claude had not had her unceremoniously evicted. Still, though moved out, Harriet is not about to move on. Not in any way. Girlfriends circle around to patronize and advise, but Harriet only takes offense, and it’s easy to understand why. Because mad and maddening as she may be, Harriet sees past the polite platitudes that everyone else is content to spout and live by. She is an unblinkered, unbuttoned, unrelenting, and above all bitingly funny prophetess of all that is wrong with women’s lives and hearts—until, in a surprise twist, she finds a savior in a dark room at the Chelsea Hotel.

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Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
11/09/2010
Language:
English
ISBN:
9781590174104
ASIN:
B003WUYPBU

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Citations

APA Citation (style guide)

Iris Owens. (2010). After Claude. New York Review Books.

Chicago / Turabian - Author Date Citation (style guide)

Iris Owens. 2010. After Claude. New York Review Books.

Chicago / Turabian - Humanities Citation (style guide)

Iris Owens, After Claude. New York Review Books, 2010.

MLA Citation (style guide)

Iris Owens. After Claude. New York Review Books, 2010.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Date Added:
Jun 12, 2018 16:51:53
Date Updated:
Jun 12, 2018 16:51:53
Last Metadata Check:
Oct 06, 2024 06:07:18
Last Metadata Change:
Oct 06, 2024 06:07:18
Last Availability Check:
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Last Availability Change:
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OverDrive Product Record

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publishDate
2010-11-09T00:00:00Z
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title
After Claude
fullDescription
Harriet is leaving her boyfriend Claude, “the French rat.” That at least is how Harriet sees things, even if it’s Claude who has just asked Harriet to leave his Greenwich Village apartment. Well, one way or another she has no intention of leaving. To the contrary, she will stay and exact revenge—or would have if Claude had not had her unceremoniously evicted. Still, though moved out, Harriet is not about to move on. Not in any way. Girlfriends circle around to patronize and advise, but Harriet only takes offense, and it’s easy to understand why. Because mad and maddening as she may be, Harriet sees past the polite platitudes that everyone else is content to spout and live by. She is an unblinkered, unbuttoned, unrelenting, and above all bitingly funny prophetess of all that is wrong with women’s lives and hearts—until, in a surprise twist, she finds a savior in a dark room at the Chelsea Hotel.
reviews
      • premium: False
      • source: Anatole Broyard, The New York Times
      • content: "One of the earliest portraits of the female antihero, a sort of distaff Notes From Underground. It was very funny"
      • premium: False
      • source: The New York Times
      • content: "A very funny book by a exhilarating talent."
      • premium: False
      • source: Kenneth Tynan
      • content: "Good enough to have convulsed the late Oscar Levant, barbed, bitchy and hilariously sour."
      • premium: False
      • source: Village Voice
      • content: "Spiky with mockery, carbon steel wit and mature observation."
      • premium: False
      • source: Skakespeare & Co Booksellers blog
      • content: "Hilariously brutal...an addictive, prickly pear of a read."
      • premium: False
      • source: Bloomsbury Magazine
      • content: "Owens, under the name of Harriet Daimler, was a prominent Parisian pornographer for Olympia Press...[who] as 'Harriet Daimler', became one of Girodias's most celebrated pornographers, someone who struggled 'against her impossible tendency to write more explicitly than the courts will tolerate'"
      • premium: False
      • source: Eleanor Rackow Widmer, Arts and Society
      • content: "To characterize After Claude as the inevitable lightly veiled autobiography of a 'first' novel is to deny Ms. Owens her due both as a savagely accurate reporter of the current Greenwich Village-Chelsea Hotel scene, and as a gallow humorist of major order...After Claude...is said, with biting verve and accuracy for New York that Mary McCarthy and her reliance on 'facts' would well envy."
      • premium: False
      • source: Leonard Michaels, The New York Times Book Review
      • content: "After Claude is a very funny book saved from off-putting vulgarity by an exhilarating talent and intelligence..."
      • premium: False
      • source: Anatole Broyard, The New York Times
      • content: "Miss Owens has created a new kind of monster for your compassion. And isn't that, after all, one of the classical functions of contemporary fiction?"
      • premium: False
      • source: John Lahr, Women's Wear Daily
      • content: "Harriet tells her story like a female Lenny Bruce...while I was reading...I was laughing too hard to see the page."
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