Dorthe Nors. (2014). Karate Chop: Stories. Graywolf Press.

Dorthe Nors. 2014. Karate Chop: Stories. Graywolf Press.

Dorthe Nors, Karate Chop: Stories. Graywolf Press, 2014.

Dorthe Nors. Karate Chop: Stories. Graywolf Press, 2014.

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     Dorthe Nors is the author of five novels and the recipient of the Danish Arts Agency's Three Year Grant for "her unusual and extraordinary talent." Her stories have appeared in Agni, A Public Space, Boston Review, Ecotone, and Fence.

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title

Karate Chop

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The first book in English by an acclaimed Danish writer: "beautiful, faceted, haunting stories . . . [from] a rising star" (Junot Díaz)

Karate Chop, Dorthe Nors's acclaimed story collection, is the debut book in the collaboration between Graywolf Press and A Public Space. These fifteen compact stories are meticulously observed glimpses of everyday life that expose the ominous lurking under the ordinary. While his wife sleeps, a husband prowls the Internet, obsessed with female serial killers; a bureaucrat tries to reinvent himself, exposing goodness as artifice when he converts to Buddhism in search of power; a woman sits on the edge of the bed where her lover lies, attempting to locate a motive for his violence within her own self-doubt. Shifting between moments of violence (real and imagined) and mundane contemporary life, these stories encompass the complexity of human emotions, our capacity for cruelty as well as compassion. Not so much minimalist as stealthy, Karate Chop delivers its blows with an understatement that shows a master at work.

reviews

1. • premium: False
   • source: The New York Times Book Review
   • content:

     "Unsettling and poetic. . . . Some pieces, like one about a four-pound tomato, are oddly beautiful; others are brilliantly disturbing."

2. • premium: False
   • source: Vogue
   • content: "The short-stories in Danish sensation Dorthe Nors's slim, potent collection, Karate Chop . . . evoke the weirdness and wonder of relating in the digital age."
3. • premium: False
   • source: ELLE
   • content: "The intricately crafted stories in Karate Chop, from popular Danish writer Dorthe Nors, focus on ordinary occurrences . . . and then twist them into brilliantly slanted cautionary tales about desire, romance, deception, and dread."
4. • premium: False
   • source: Marie Claire
   • content: "In this slim collection of stories, the Danish Nors examines everyday issues with intensity and force."
5. • premium: False
   • source: Oprah.com
   • content: "Spare and sublime. Author Dorthe Nors knows how to capture the smallest moments and sculpt them into the unforgettable."
6. • premium: False
   • source: Los Angeles Times
   • content: "Dorthe Nors illuminates an ominous world of disconnected people trying to make sense of their dislocation. . . . Nors' affectless, matter-of-fact storytelling--crisply translated from the original Danish by Martin Aitken--is the perfect complement to the low-wattage desperation and inertia her characters feel."
7. • premium: True
   • source:
   • content:

     Starred review from November 11, 2013
     These very short works (most are no more than three pages, the longest is roughly eight) are as sharp-edged, destructive, and intentionally made as the title suggests. Nowhere here is a word out of place. Imagine Grace Paley with more than a little of Mary Gaitskill’s keen eye for the despair and violence of sex, mixed with an otherness that’s unsettlingly odd and vivid. The sentences are brightly visual and attuned to the weird details of each character’s inner world. In “Janus,” protagonist Louise lies in bed after losing her virginity. She follows her thoughts to an afternoon spent licking envelopes at her father’s office, where she had an intimate daydream about one addressee. “There he had lain under his white linen, smelling of duvet, and Louise had wanted to cry.” Nors’s stories (most like Paley in this way) have multiple stories within them, holding hands with each other. In “Female Killers,” Nors writes, “Maybe that’s why she opens doors in the mind. Doors, stairwells, pantries.” Each of these pages contains a trapdoor, a side entrance, and, at times, they feel like dispatches from an alien world (or maybe the basement). Nors’s writing doesn’t just observe the details of life—online searches, laundry, fantasies, conversations with semi-strangers, compulsions—it offers a marvelous, truthful take on how these details illustrate our souls.

8. • premium: True
   • source:
   • content:

     November 1, 2013
     The first English publication of this Danish author of five novels consists of 15 oblique, very short stories, many of them about isolated people struggling to connect. A depressed actress abandons the artifice of Copenhagen, searching for authenticity in a remote part of the country to dissipate her psychological fog, but she ends up in a literal one ("The Wadden Sea"). The 35-year-old in "She Frequented Cemeteries" may have met the man of her dreams, or she may be living in a fantasy world; Nors artfully leaves both possibilities open. Annelise, in the title story, makes bad choices with men, ignoring red flags, but her revenge on the sexual sadist Carl Erik is a last-sentence shocker. The disturbed female narrator of "The Heron" has given up on human contact; she would settle for proximity to a tame bird. These stories are, in varying degrees, arresting. "Flight," which contrasts actual and metaphorical space as it sketches a woman after a breakup, is more banal, as is "The Winter Garden": Here, after his parents' divorce, their self-possessed son realizes his dad is the truly needy one. Not all the stories adhere to this isolation/connection model. "The Big Tomato," set in Manhattan, pokes fun at excess. A wealthy Danish couple, expats, receives a 4-pound tomato from their online grocer, to the bemusement of their Mexican cleaner and Albanian laundryman on the other side of the class divide. Another New York story, "Nat Newsom," is much darker. The eponymous Nat, a panhandler, retains his optimism despite physical handicaps and hard knocks. A Columbia professor, researching naivete, eyes him as a subject, then contemptuously dismisses him as "too odd." It's a chilling look at the academic hustle. Nors is just as mordant in her treatment of a self-aggrandizing charlatan who reinvents himself as a Buddhist to become head of an aid organization, which he then rips off ("The Buddhist"). These amuse-bouches are a fine introduction to the author's work.

     COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

9. • premium: True
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   • content:

     January 1, 2014
     Acclaimed Danish novelist Nors could not have picked a more appropriate title for her new collection. These stories are swift and unexpected and bruising. Nors' insight into the strange nuances of human interactions, especially those rooted in violence or sorrow, is keen to the point of vivisection. In the span of two pages, she is able to both build and unmake a character, achieving the same complexity that other writers require entire novels to establish. What's more, her protagonists are familiar and unsettling, with characteristics that echo in our psyches and ask us to call into question all we assume about ourselves and others. Karate Chop is the first of Nors' books to be translated to English but certainly won't be the last. Lovers of the art of literary fiction, students of psychology, and everyone looking for a quick, thought-provoking read should all indulge themselves in the subversive delight of this short story collection.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)

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The first book in English by an acclaimed Danish writer: "beautiful, faceted, haunting stories . . . [from] a rising star" (Junot Díaz)

Karate Chop, Dorthe Nors's acclaimed story collection, is the debut book in the collaboration between Graywolf Press and A Public Space. These fifteen compact stories are meticulously observed glimpses of everyday life that expose the ominous lurking under the ordinary. While his wife sleeps, a husband prowls the Internet, obsessed with female serial killers; a bureaucrat tries to reinvent himself, exposing goodness as artifice when he converts to Buddhism in search of power; a woman sits on the edge of the bed where her lover lies, attempting to locate a motive for his violence within her own self-doubt. Shifting between moments of violence (real and imagined) and mundane contemporary life, these stories encompass the complexity of human emotions, our capacity for cruelty as well as compassion. Not so much...

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