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City of Women
(Adobe EPUB eBook, Kindle Book, OverDrive Read)

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Published:
Penguin Publishing Group 2012
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Description
NEW YORK TIMES BESTSELLER

Whom do you trust, whom do you love, and who can be saved? A gripping tale of Berlin in the Second World War, from the author of Annelies.
It is 1943—the height of the Second World War. With the men away at the front, Berlin has become a city of women.
On the surface, Sigrid Schröder is the model German soldier’s wife: She goes to work every day, does as much with her rations as she can, and dutifully cares for her meddling mother-in-law, all the while ignoring the horrific immoralities of the regime.
But behind this façade is an entirely different Sigrid, a woman of passion who dreams of her former Jewish lover, now lost in the chaos of the war. But Sigrid is not the only one with secrets—she soon finds herself caught between what is right and what is wrong, and what falls somewhere in the shadows between the two . . .
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Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
08/07/2012
Language:
English
ISBN:
9781101599341
ASIN:
B007T8LAE6
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Citations
APA Citation (style guide)

David R. Gillham. (2012). City of Women. Penguin Publishing Group.

Chicago / Turabian - Author Date Citation (style guide)

David R. Gillham. 2012. City of Women. Penguin Publishing Group.

Chicago / Turabian - Humanities Citation (style guide)

David R. Gillham, City of Women. Penguin Publishing Group, 2012.

MLA Citation (style guide)

David R. Gillham. City of Women. Penguin Publishing Group, 2012.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Date Added:
Jun 12, 2018 16:16:04
Date Updated:
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fullDescription
NEW YORK TIMES BESTSELLER

Whom do you trust, whom do you love, and who can be saved? A gripping tale of Berlin in the Second World War, from the author of Annelies.
It is 1943—the height of the Second World War. With the men away at the front, Berlin has become a city of women.
On the surface, Sigrid Schröder is the model German soldier’s wife: She goes to work every day, does as much with her rations as she can, and dutifully cares for her meddling mother-in-law, all the while ignoring the horrific immoralities of the regime.
But behind this façade is an entirely different Sigrid, a woman of passion who dreams of her former Jewish lover, now lost in the chaos of the war. But Sigrid is not the only one with secrets—she soon finds herself caught between what is right and what is wrong, and what falls somewhere in the shadows between the two . . .
reviews
      • premium: True
      • source: Publisher's Weekly
      • content:

        Starred review from June 25, 2012
        In this stunning debut about the battle between good and evil, Gillham puts a fresh spin on the horrors of WWII by focusing on civilian German women to reveal that, amid the many adherents of the party line there were a handful of unsung heroes. We first meet Sigrid Schröder in 1943. She is an unassuming stenographer stuck in a loveless marriage and living in Berlin with her sour, difficult mother-in-law. But her life is not as common as it seems, for she has a lover, a Jewish lover, and if that were not risky enough, Sigrid becomes entangled with a neighbor who is helping to shelter Jews. As the war progresses, and Sigrid’s husband is sent to the Russian front, she’s drawn deeper into a world where trust is a hard-won commodity. The line between what is “right” and “wrong” becomes harder to define as Sigrid, confronted with increasingly more horrifying realities, finds her resolve constantly tested. Gillham’s transcendent prose (“Looking into her eyes is like staring thorough the windows of a bombed-out building”; “The words both murdered her and made her whole”), powerfully drawn characters, and the multilayered dilemmas make his first literary effort a powerful revelation. Agent: Rebecca Gradinger, Fletcher & Company.

      • premium: True
      • source: Kirkus
      • content:

        Starred review from August 1, 2012
        In his debut about 1943 Berlin, Gillham uses elements common to the many previous movies and books about World War II--from vicious Nazis to black marketeers to Jewish children hiding in attics to beautiful blond German women hiding their sexuality inside drab coats--yet manages to make the story fresh. The blond beauty is Sigrid, a stenographer living alone with her unpleasant mother-in-law while her husband, Kaspar, serves on the eastern front. Sigrid's Berlin is a grim city full of suspicious, fearful citizens barely coping with shortages and almost nightly air raids, people not above turning each other over to the Gestapo for unpatriotic behavior. But Sigrid is mostly consumed in pining not for Kaspar but for Egon, the Jewish black markeeter with whom she carried on a passionate affair before he went into hiding. At first, Sigrid resists when Ericha, a rebellious teenager living in her building, involves her in an underground network hiding Jews, but iconoclast Sigrid soon finds that her experience as Egon's occasional "bagman" serves her well as she delivers supplies and humans to a safe house. At the same time, she befriends new neighbors, two sisters and their wounded-officer brother, Wolfram, whose impeccable German credentials are not what they seem. Sigrid finds herself wondering if a particular Jewish woman with two daughters in hiding might be Egon's wife. But when Egon reappears in her life, she doesn't bring up her suspicions. Instead she hides him in her neighbors' apartment, an awkward situation given that she has recently begun what she considers a purely sexual affair with Wolfram. The wounded and embittered Kaspar's return only complicates the situation. With her underground activities as intricate as her love life, Sigrid can trust no one, yet must trust a dangerously wider circle of acquaintances until the hold-your-breath suspense ending. World War II Germany may be familiar ground, but Gillham's novel--vividly cinematic yet subtle and full of moral ambiguity, not to mention riveting characters--is as impossible to put down as it is to forget.

        COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED.

      • premium: True
      • source: Booklist
      • content:

        July 1, 2012
        Berlin 1943, in the midst of war, offers little comfort for the women left behind. Sigrid, a seemingly dutiful wife to a husband serving on the Russian front, copes with a tedious job, a hostile mother-in-law, rationed food, air raids, and the fear of stepping out of line. There is always someone eager to denounce a neighbor for an unguarded moment or outburst. Sigrid has her secrets but holds them close: a Jewish lover from the recent past, and a random event that draws her into a chain of people hiding and protecting Jews. Even though her naivete takes her to dangerous places, she is wise enough to be cautious. Life becomes more fraught when Sigrid's wounded husband returns. Gillham tells a gripping story centered around strong and remarkable characters, some of whom are not quite what they seem to be. Scenes of wartime Berlin are powerfully described, and the lot of the ordinary citizen is artfully shown. Gillham's romantic and suspenseful novel, commandingly written and believable, should be widely read.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)

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It is 1943—the height of the Second World War. With the men away at the front, Berlin has become a city of women.
On the surface, Sigrid Schröder is the model German soldier’s wife: She goes to work every day, does as much with her rations as she can, and dutifully cares for her meddling mother-in-law, all the while ignoring the horrific immoralities of the regime.
But behind this façade is an entirely different Sigrid, a woman of passion who dreams of her former Jewish lover, now lost in the chaos of the war. But Sigrid is not the only one with secrets—she soon finds herself caught between what is right and what is wrong, and what falls somewhere in the shadows between the two . . .
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