James Booth. (2014). Philip Larkin: Life, Art and Love. Bloomsbury Publishing.

James Booth. 2014. Philip Larkin: Life, Art and Love. Bloomsbury Publishing.

James Booth, Philip Larkin: Life, Art and Love. Bloomsbury Publishing, 2014.

James Booth. Philip Larkin: Life, Art and Love. Bloomsbury Publishing, 2014.

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Philip Larkin

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1. • role: Author
   • fileAs: Booth, James
   • bioText: James Booth edited Philip Larkin's early girls'-school stories and poems as Trouble at Willow Gables and Other Fictions and has published two critical studies of the poet's work: Philip Larkin: Writer (1991) andPhilip Larkin: The Poet's Plight (2005). He is Literary Adviser to the Philip Larkin Society and Co-Editor of its journal, About Larkin. He recently retired from the Department of English at the University of Hull, where he had been a colleague of Larkin for seventeen years.
     
     www.philiplarkin.com
   • name: James Booth

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title

Philip Larkin

fullDescription

A revelatory, intimate, and sympathetic study of Philip Larkin, an iconic poet and a much misunderstood man, offering fresh understanding of the interplay of his life and work.
Philip Larkin (1922-1985) is one of the most beloved poets in English. Yet after his death a largely negative image of the man himself took hold; he has been portrayed as a racist, a misogynist and a narcissist. Now Larkin scholar James Booth, for seventeen years a colleague of the poet's at the University of Hull, offers a very different portrait. Drawn from years of research and a wide variety of Larkin's friends and correspondents, this is the most comprehensive portrait of the poet yet published.
Booth traces the events that shaped Larkin in his formative years, from his early life when his his political instincts were neutralised by exposure to his father's controversial Nazi values. He studies how the academic environment and the competition he felt with colleagues such as Kingsley Amis informed not only Larkin's poetry, but also his little-known ambitions as a novelist.
Through the places and people Larkin encountered over the course of his life, including Monica Jones, with whom he had a tumultuous but enduring relationship, Booth pieces together an image of a rather reserved and gentle man, whose personality-and poetry—have been misinterpreted by decades of academic study. Philip Larkin: Life, Art and Love reveals the man behind the words as he has never been seen before.

reviews

1. • premium: False
   • source: Publishers Weekly
   • content: Booth offers a complex study of England's "best-loved" poet...[He] neatly traces the origins of the poet's psychological pain. According to Booth, "the key to Larkin, the poet and the man, is an ingenuous openness to life's simplest pleasures and pains."
2. • premium: False
   • source: Library Journal
   • content: This account is the best depiction we have to date of the complex life of an exceptional modern poet. VERDICT The book will appeal to lovers of literature. Larkin knew everybody in his day so the net this work spreads is wide.
3. • premium: False
   • source: Booklist (starred review)
   • content: Booth shows Larkin's variety, from near-religious adoration to lasciviousness to slashingly witty... A consummated dream of a literary biography.
4. • premium: True
   • source:
   • content:

     May 26, 2014
     Booth (Philip Larkin: The Poet’s Plight), coeditor of the Philip Larkin Society and former Larkin colleague at the University of Hull, delves deep into the poet’s writing life and sexual history in this overlong biography. By examining the context of how Larkin’s poems were constructed, Booth offers a complex study of England’s “best-loved” poet. Throughout, Booth hews close to Larkin’s text—hardly a page goes by without quoting a verse, novel, or letter. Booth is not an impartial observer, though; he staunchly defends “Larkin’s contradictions” against claims of racism, misogyny, and pornography, admitting that there is “no requirement that poets should be likeable or virtuous.” Indeed, Larkin’s poetry parallels his life in many ways, but his life outside writing is a rich source of narrative, and Booth is at his most energetic when he tells the straightforward story of Larkin’s librarianship and relationships with women. Despite his critical and popular success, Larkin was “haunted by failure” and Booth neatly traces the origins of the poet’s psychological pain. According to Booth, “the key to Larkin, the poet and the man, is an ingenuous openness to life’s simplest pleasures and pains.”

5. • premium: True
   • source:
   • content:

     September 15, 2014
     A scholar who has published previously about Philip Larkin (1922-1985) returns with a full-meal biography glowing with admiration.Booth (Philip Larkin: The Poet's Plight, 2005), who was for nearly two decades one of Larkin's colleagues at the University of Hull, does not find a lot to dislike in this lushly detailed life. Where others have found fault, the author often begs to differ. In Larkin's letters, for example, are occasional terms and phrases that many readers find racially offensive. Booth characterizes them as "performative riffs," examples of Larkin's linguistic posturing. After a defensive introduction (Larkin was neither a racist nor a misogynist), Booth proceeds in chronological fashion. We learn about Larkin's parents (his mother lived until 1977), his lifelong passion for classic jazz (and, later, his unhappiness with John Coltrane and other more modern performers), his schooling and his off-and-on friendship with Kingsley Amis. Both were hopeful novelists, but when Amis' Lucky Jim (1954) appeared and soared, Larkin, who had published a couple of novels in the mid-1940s, turned exclusively to poetry. Larkin became a librarian and held various positions throughout his life, jobs that enabled him to have time for his poetry, and his verse soon became both popular and honored. Booth spends many pages discussing individual poems, as well as the drafts Larkin recorded in his many workbooks. Most of these analyses are accessible, though we occasionally read something precious: "The hissing monosyllable 'this' with its high short vowel seems arrogant." Booth also charts the poet's intimate relationships with various women (Larkin sometimes maintained as many as three simultaneously). We read, too, about his jealous disdain for Ted Hughes (he preferred Sylvia Plath's poetry), as well as his physical decline (including deafness) preceding the arrival of the cancer that killed him. Definitive in its scope and detail but somewhat too hagiographic.

     COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.

6. • premium: True
   • source:
   • content:

     June 1, 2014
     Philip Larkin has long been regarded as one of Britain's most distinguished 20th-century poets--and by many as too tartly superior in his attitude toward women and minorities for comfort. Booth, literary adviser and coeditor of the Philip Larkin Society and Larkin's colleague at the University of Hull for 17 years, revisits Larkin's early years and the response to the intense competition of academia with the aim of offering a broader, more nuanced view of Larkin's life.

     Copyright 2014 Library Journal, LLC Used with permission.

7. • premium: True
   • source:
   • content:

     October 15, 2014
     

     The tone of much of the writing on Philip Larkin's (1922-85) personal and professional life was set in Andrew Motion's unfavorable 1993 biography of the poet Philip Larkin: A Writer's Life. Other scholars--A. Alvarez, Richard Bradford, Lisa Jardine--have painted similar pictures of a depressive man whose casually racist views and attitudes toward women were often less than admirable. Now comes a corrective biography by an author who was Larkin's workmate at the University of Hull for 17 years. Booth (Philip Larkin: The Poet's Plight) provides a more nuanced but still unattractive image of this complicated man, especially his description of the poet's callous manipulation of the multiple women whom he wooed simultaneously. Booth parses the poems in detail. His narrative on how events influenced the writing of several of Larkin's near-confessional poems is solid, but, other more general passages interrupt and detract from the well-based biography surrounding them. Still, this account is the best depiction we have to date of the complex life of an exceptional modern poet. VERDICT The book will appeal to lovers of literature. Larkin knew everybody in his day so the net this work spreads is wide. [See Prepub Alert, 5/12/14.]--David Keymer, Modesto, CA

     Copyright 2014 Library Journal, LLC Used with permission.

popularity

23

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shortDescription

A revelatory, intimate, and sympathetic study of Philip Larkin, an iconic poet and a much misunderstood man, offering fresh understanding of the interplay of his life and work.
Philip Larkin (1922-1985) is one of the most beloved poets in English. Yet after his death a largely negative image of the man himself took hold; he has been portrayed as a racist, a misogynist and a narcissist. Now Larkin scholar James Booth, for seventeen years a colleague of the poet's at the University of Hull, offers a very different portrait. Drawn from years of research and a wide variety of Larkin's friends and correspondents, this is the most comprehensive portrait of the poet yet published.
Booth traces the events that shaped Larkin in his formative years, from his early life when his his political instincts were neutralised by exposure to his father's controversial Nazi values. He studies how the academic environment and the competition he felt with colleagues such as Kingsley Amis...

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