The Anatomy Lesson: A Novel
(OverDrive MP3 Audiobook, OverDrive Listen)
As the story builds to its dramatic and inevitable conclusion, the events that transpire throughout the day sway Rembrandt to make fundamental changes to his initial composition. These changes will remain mysteries for centuries until a young art historian closely examines the painting in the twenty-first century, and makes surprising discoveries about the painter, his process, and his genius for capturing enduring truths about human nature in a single moment.
Cast of Narrators:
Author’s Note & Acknowledgements, read by the Author
The Body / Adriaen “Aris” Adriaenszoon, read by Bruce Mann
The Heart / Flora of Leiden, read by Emma Jayne Appleyard
The Mouth / Jan Fetchet, read by Gildart Jackson
The Eyes / Rembrandt, read by Steve West
The Mind/ René Descartes, read by Adam Alexi-Malle
The Hand / Dr. Nicolaes Tulp, read by Peter Altschuler
Conservator’s Notes / Pia de Graaf, read by Hannah Curtis
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Nina Siegal. (2014). The Anatomy Lesson: A Novel. Unabridged Books on Tape.
Chicago / Turabian - Author Date Citation (style guide)Nina Siegal. 2014. The Anatomy Lesson: A Novel. Books on Tape.
Chicago / Turabian - Humanities Citation (style guide)Nina Siegal, The Anatomy Lesson: A Novel. Books on Tape, 2014.
MLA Citation (style guide)Nina Siegal. The Anatomy Lesson: A Novel. Unabridged Books on Tape, 2014.
Library | Owned | Available |
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Shared Digital Collection | 1 | 1 |
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- bioText: NINA SIEGAL is a graduate of the Iowa Writers' Workshop. She is the recipient of a Fulbright Fellowship, a Jack Leggett Fellowship from Iowa, and a MacDowell Colony Fellowship. She is the founding editor of Time Out Amsterdam and has written for The New York Times, The Wall Street Journal, and International Herald Tribune.
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- bioText: NINA SIEGAL is a graduate of the Iowa Writers' Workshop. She is the recipient of a Fulbright Fellowship, a Jack Leggett Fellowship from Iowa, and a MacDowell Colony Fellowship. She is the founding editor of Time Out Amsterdam and has written for The New York Times, The Wall Street Journal, and International Herald Tribune.
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- Set in one day in 1632, The Anatomy Lesson is a stunning portrayal of Golden Age Amsterdam and a brilliantly imagined back-story to Rembrandt's first great work of art. Told from several points of view, ranging from a curio dealer who collects bodies for the city’s chief anatomist to philosopher Rene Descartes, the novel opens on the morning of the medical dissection that is to be recorded by the twenty-six-year-old artist from Leiden who has yet to attach his famous signature to a painting.
As the story builds to its dramatic and inevitable conclusion, the events that transpire throughout the day sway Rembrandt to make fundamental changes to his initial composition. These changes will remain mysteries for centuries until a young art historian closely examines the painting in the twenty-first century, and makes surprising discoveries about the painter, his process, and his genius for capturing enduring truths about human nature in a single moment.
Cast of Narrators:
Author’s Note & Acknowledgements, read by the Author
The Body / Adriaen “Aris” Adriaenszoon, read by Bruce Mann
The Heart / Flora of Leiden, read by Emma Jayne Appleyard
The Mouth / Jan Fetchet, read by Gildart Jackson
The Eyes / Rembrandt, read by Steve West
The Mind/ René Descartes, read by Adam Alexi-Malle
The Hand / Dr. Nicolaes Tulp, read by Peter Altschuler
Conservator’s Notes / Pia de Graaf, read by Hannah Curtis - reviews
- premium: False
- source: Oprah.com, Book of the Week
- content: "A literary page-turner that captures a story behind a masterpiece, [Siegal's] talent is in exploring the wrenching emotion of loss and the price that's paid for trying to understand human life."
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- source: The New Yorker
- content: "Siegal succeeds in the task she has set for herself--to transmute her material into a work of art."
- premium: False
- source: The New York Times Book Review
- content: "Siegal's fascinating narrative conveys the pomp, graft, bustle and rough justice of 17th-century Holland through a multitude of voices."
- premium: False
- source: Publishers Weekly
- content: "Splendid...Through masterful use of subtle details, embroidered into beautiful writing, Siegal suggests that art and violence often intertwine."
- premium: False
- source: Historical Novel Society
- content: "Virtually every sentence is drenched in the atmosphere of 17th-century Amsterdam. We feel as if we are walking at Rembrandt's side, in a cell awaiting the execution of a thief, rushing through the streets with the condemned's lover in hopes of saving him. This is a novel to be absorbed for its rich evocation of a single day when one man died and another rose to fame for his art."
- premium: False
- source: Robin Oliveira, author of My Name is Mary Sutter and I Always Loved You
- content: "Once in a rare while, you get to read a story of such breathtaking beauty and intelligence that you remember why you love to read. The Anatomy Lesson is just such a novel. In stunning prose, Nina Siegal animates Rembrandt's first masterpiece, spinning a deeply affecting tale of love, loss and redemption as she reveals the secrets of the human soul. It is a gorgeous literary page turner of immense sympathy and elegance, equal in artistic élan to its inspiration. Brava!"
- premium: False
- source: Russell Shorto, author of Amsterdam: A History of the World's Most Liberal City
- content: "Rembrandt's The Anatomy Lesson of Dr. Nicolaes Tulp is a narrative in paint which tells a story of Amsterdam in its Golden Age. Now, Nina Siegal's lovely novel dissects the dissection, evocatively translating the painted narrative into words, bringing a grim tableau to life and reanimating a moment in history when art, science, life, and death converged."
- premium: False
- source: Margot Livesey, author of The Flight of Gemma Hardy
- content: "Brilliantly structured, wonderfully evocative, filled with vivid characters, The Anatomy Lesson transports the reader to that day in 1632 when the coat thief Aris Kindt passed from life to death and from death, thanks first to Rembrandt and now Nina Siegal, into immortality. A dazzling debut."
- premium: False
- source: Abigail Dalton, Everyday eBook
- content: "Siegal takes one fascinating work of art and transmutes it into another."
- premium: False
- source: Jeanette Zwart, Shelf Awareness
- content: "A thought-provoking and richly populated novel by a talented new voice."
- premium: True
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- content: At times, multiple narrators can be the best thing that can happen to an audiobook. When a story is told from multiple points of view, using a narrator for each one can both enhance the story and make it easier for a listener to follow. For this strategy to work well, though, all the narrators must be of equally high caliber; a disparity in narrator skill can be off-putting, as is the case here. Although most of the cast is quite effective in telling the story of the painting that first brought Rembrandt international acclaim, the performances as a whole are uneven, thus distracting from Siegal's otherwise fascinating story. J.L.K. © AudioFile 2014, Portland, Maine
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- content:
February 3, 2014
Siegal (A Little Trouble With the Facts) sets her splendid, gory second novel in 1623 in Amsterdam, where a thief's execution occasions a celebration, evoking "bloodlust" throughout the city on "Justice Day." Some of the narrators are famous men: Rembrandt, who painted Anatomical Lesson of Dr. Nicolaes Tulp, on which the novel is based, and Descartes, who is "âsearch for the soul in the body.'" Siegal gives voice not only to artists and philosophers, but also to the condemned man Adriaen Adriaenszoon, among others. Adriaen pleads, "âhere is no evil in my breast.'" The evil, Siegal hints, might well lie in a place where Justice Day is received with such pleasure. Adriaen's pregnant lover, Flora, is the only person clamoring for possession of the man's body out of loveâto give it a "Christian burial" after she fails to convince a clerk at the town hall to issue a pardon. Alive, Adriaen's body is "beaten and branded" by his Calvinist father and by several Dutch towns. As a mere object, people want his corpse "for science" and "for art." "All of us sought his flesh," Rembrandt muses. Through masterful use of subtle details, embroidered into beautiful writing, Siegal suggests that art and violence often intertwine. Agent: Marly Rusoff, Marly Rusoff and Associates.
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