You Don't Love Me Yet
(Adobe EPUB eBook, Kindle Book, OverDrive Read)
Description
Bestselling author Jonathan Lethem delivers a hilarious novel about love, art, and what it's like to be young in Los Angeles.
Lucinda Hoekke's daytime gig as a telephone operator at the Complaint Line—an art gallery's high-minded installation piece—is about as exciting as listening to dead air. Her real passion is playing bass in her forever struggling, forever unnamed band. But recently a frequent caller, the Complainer, as Lucinda dubs him, has captivated her with his philosophical musings. When Lucinda's band begins to incorporate the Complainer's catchy, existential phrases into their song lyrics, they are suddenly on the cusp of their big break. There is only one problem: the Complainer wants in.
BONUS MATERIAL: This edition includes an excerpt from Jonathan Lethem's Dissident Gardens.
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Jonathan Lethem. (2008). You Don't Love Me Yet. Knopf Doubleday Publishing Group.
Chicago / Turabian - Author Date Citation (style guide)Jonathan Lethem. 2008. You Don't Love Me Yet. Knopf Doubleday Publishing Group.
Chicago / Turabian - Humanities Citation (style guide)Jonathan Lethem, You Don't Love Me Yet. Knopf Doubleday Publishing Group, 2008.
MLA Citation (style guide)Jonathan Lethem. You Don't Love Me Yet. Knopf Doubleday Publishing Group, 2008.
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Jonathan Lethem is the author of six novels, including the bestsellers THE FORTRESS OF SOLITUDE and MOTHERLESS BROOKLYN, which
won the National Book Critics Circle Award. He is also the author of two short story collections, MEN AND CARTOONS and THE WALL OF THE
SKY, WALL OF THE EYE, and a collection of autobiographical essays, THE DISSAPOINTMENT ARTIST. His stories and essays have appeared in The New Yorker, Rolling Stone, Esquire, McSweeny's, Tin House, The New York Times and others. He was recently granted a MacArthur Genius Award. He lives in Brooklyn and Maine.
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- fullDescription
Bestselling author Jonathan Lethem delivers a hilarious novel about love, art, and what it's like to be young in Los Angeles.
Lucinda Hoekke's daytime gig as a telephone operator at the Complaint Line—an art gallery's high-minded installation piece—is about as exciting as listening to dead air. Her real passion is playing bass in her forever struggling, forever unnamed band. But recently a frequent caller, the Complainer, as Lucinda dubs him, has captivated her with his philosophical musings. When Lucinda's band begins to incorporate the Complainer's catchy, existential phrases into their song lyrics, they are suddenly on the cusp of their big break. There is only one problem: the Complainer wants in.
BONUS MATERIAL: This edition includes an excerpt from Jonathan Lethem's Dissident Gardens.- reviews
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- content: "Smart and funny . . . a biting satirical take on the intersection of art and commerce, integrity and façade. . . . A send up of all things cool."
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- content: "Fit to be devoured over a weekend."
- premium: False
- source: The Independent
- content: "A gentle and hip romantic comedy [that] breezes through LA's iconoclastic anonymity with a refreshing sincerity."
- premium: False
- source: Greil Marcus, Interview
- content: "His best since Gun, With Occasional Music . . . what makes the book sing are Lethem's accounts of what happens when a crowd on the street hears a band inside a building . . . or when for a moment four musicians understand each other better than anyone of them understands him or herself."
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September 25, 2006
Lethem (Fortress of Solitude
; Motherless Brooklyn
; etc.) strays from hometown Brooklyn to recount the near-fame experience of a Los Angeles alternative rock band. Its success depends on bass guitarist Lucinda Hoekke, an unwitting femme fatale whose irrational whims torture the artsy Gen-Xers in her orbit. When the novel opens, she's answering phones for a complaint line designed to also function as a "theatrical piece" and is charmed by the eloquent gripes of one serial caller, a professional phrase writer named Carl. (He's responsible for coining "All thinking is wishful," among others.) They embark on a sex-drenched bender that culminates with the band's debut performance—a breakout success. Lucinda is the band's "secret genius," having provided the ideas for the catchiest songs; only she cribbed them from Carl, whose cooperation must be purchased with a token position in the band. Zany disaster ensues in this entertaining but largely insubstantial romantic farce. Lethem tricks out the plot with his usual social wit (music moguls are "unyouthful men in youthful clothes"), but from a writer whose previous books have carved new notches on the literary wall, this measures up as stunted growth.
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Lucinda Hoekke's daytime gig as a telephone operator at the Complaint Line—an art gallery's high-minded installation piece—is about as exciting as listening to dead air. Her real passion is playing bass in her forever struggling, forever unnamed band. But recently a frequent caller, the Complainer, as Lucinda dubs him, has captivated her with his philosophical musings. When Lucinda's band begins to incorporate the Complainer's catchy, existential phrases into their song lyrics, they are suddenly on the cusp of their big break. There is only one problem: the Complainer wants in.
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