Miss Ex-Yugoslavia: A Memoir
(Adobe EPUB eBook, Kindle Book, OverDrive Read)
Sofija Stefanovic makes the first of many awkward entrances in 1982, when she is born in socialist Yugoslavia. The circumstances of her birth (a blackout, gasoline shortages, bickering parents) don't exactly get her off to a running start. While around her, ethnic tensions are stoked by totalitarian leaders with violent agendas, Stefanovic's early life is filled with Yugo rock, inadvisable crushes, and the quirky ups and downs of life in a socialist state.
As the political situation grows more dire, the Stefanovics travel back and forth between faraway, peaceful Australia, where they can't seem to fit in, and their turbulent homeland, which they can't seem to shake. Meanwhile, Yugoslavia collapses into the bloodiest European conflict in recent history.
Featuring warlords and beauty queens, tiger cubs and Baby-Sitters Clubs, Sofija Stefanovic's memoir is a window to a complicated culture that she both cherishes and resents. Revealing war and immigration from the crucial viewpoint of women and children, Stefanovic chronicles her own coming-of-age, both as a woman and as an artist. Refreshingly candid, poignant, and illuminating, "Stefanovic's story is as unique and wacky as it is important" (Esquire).
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Sofija Stefanovic. (2018). Miss Ex-Yugoslavia: A Memoir. Atria Books.
Chicago / Turabian - Author Date Citation (style guide)Sofija Stefanovic. 2018. Miss Ex-Yugoslavia: A Memoir. Atria Books.
Chicago / Turabian - Humanities Citation (style guide)Sofija Stefanovic, Miss Ex-Yugoslavia: A Memoir. Atria Books, 2018.
MLA Citation (style guide)Sofija Stefanovic. Miss Ex-Yugoslavia: A Memoir. Atria Books, 2018.
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- bioText: Sofija Stefanovic is a Serbian-Australian writer and storyteller based in Manhattan. She hosts the popular literary salon, Women of Letters New York, and This Alien Nation—a monthly celebration of immigration. She's a regular storyteller with The Moth. Her writing has appeared in The New York Times, Guardian.com, and Elle.com, among others. Learn more at SofijaStefanovic.com.
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- A "funny and tragic and beautiful in all the right places" (Jenny Lawson, #1 New York Times bestseller author of Furiously Happy) memoir about the immigrant experience and life as a perpetual fish-out-of-water, from the acclaimed Serbian-Australian storyteller.
Sofija Stefanovic makes the first of many awkward entrances in 1982, when she is born in socialist Yugoslavia. The circumstances of her birth (a blackout, gasoline shortages, bickering parents) don't exactly get her off to a running start. While around her, ethnic tensions are stoked by totalitarian leaders with violent agendas, Stefanovic's early life is filled with Yugo rock, inadvisable crushes, and the quirky ups and downs of life in a socialist state.
As the political situation grows more dire, the Stefanovics travel back and forth between faraway, peaceful Australia, where they can't seem to fit in, and their turbulent homeland, which they can't seem to shake. Meanwhile, Yugoslavia collapses into the bloodiest European conflict in recent history.
Featuring warlords and beauty queens, tiger cubs and Baby-Sitters Clubs, Sofija Stefanovic's memoir is a window to a complicated culture that she both cherishes and resents. Revealing war and immigration from the crucial viewpoint of women and children, Stefanovic chronicles her own coming-of-age, both as a woman and as an artist. Refreshingly candid, poignant, and illuminating, "Stefanovic's story is as unique and wacky as it is important" (Esquire). - reviews
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February 15, 2018
A writer and raconteur chronicles her life growing up in the former-Yugoslavian immigrant subculture of 1990s Australia.Stefanovic (You're Just Too Good to Be True, 2015), the host of the literary salon Women of Letters New York, uses the eponymous pageant to introduce the "ex-Yugos," immigrants from the former Yugoslavia who found refuge in Australia from the brutal wars of the Slobodan Milosevi? regime. The author's adolescence coincided with the dissolution of her country. Her parents, anti-Milosevi? activists and members of an urban intellectual elite, sensed the coming storm and moved their family abroad to secure citizenship and hence an escape route from the impending conflicts. Stefanovic recounts her youth, from earliest memories of life in Serbia to a few formative years spent bouncing between Melbourne and Belgrade and finally back to Australia for good, where she joined the growing Serbian-Australian population forced to watch TV news snippets of their home country imploding. The author effectively explains how, despite her proud ambivalence, she came to embrace "ex-Yugo" culture so thoroughly that she agreed to compete in a gaudy local beauty pageant to represent it. Living between two cultures added fuel to the already blazing fires of adolescent awkwardness, and Stefanovic tends to deprecate rather than sympathize with her past self, whom she casts as pathetic and attention-seeking. Yet being an outsider sharpened her powers of observation and improved her gifts for language, setting her on the path toward a career as a storytelling performer. Eventually, Stefanovic found her way to activism through writing. Her quirky, poignant, relatable anecdotes offer a nuanced and unflinching portrait of lived experience, rejecting the media's oversimplified accounts of the Yugoslavian wars and helping to break down the monolithic labels applied to refugees from those wars, especially Serbians. Her stories show the ways in which war warps the lives of generations, even those who never witness violence firsthand.A fresh and timely perspective on the immigrant experience--required reading for fans of Stefanovic and a strong inducement for newcomers to explore the rest of her work.COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.
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Sofija Stefanovic makes the first of many awkward entrances in 1982, when she is born in socialist Yugoslavia. The circumstances of her birth (a blackout, gasoline shortages, bickering parents) don't exactly get her off to a running start. While around her, ethnic tensions are stoked by totalitarian leaders with violent agendas, Stefanovic's early life is filled with Yugo rock, inadvisable crushes, and the quirky ups and downs of life in a socialist state.
As the political situation grows more dire, the Stefanovics travel back and forth between faraway, peaceful Australia, where they can't seem to fit in, and their turbulent homeland, which they can't seem to shake. Meanwhile, Yugoslavia... - sortTitle
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