The Coloring Book: A Comedian Solves Race Relations in America
(OverDrive MP3 Audiobook, OverDrive Listen)
Colin Quinn has noticed a trend during his decades on the road-that Americans' increasing political correctness and sensitivity have forced us to tiptoe around the subjects of race and ethnicity altogether. Colin wants to know: What are we all so afraid of? Every ethnic group has differences, everyone brings something different to the table, and this diversity should be celebrated, not denied. So why has acknowledging these cultural differences become so taboo?
In The Coloring Book, Colin, a native New Yorker, tackles this issue head-on while taking us on a trip through the insane melting pot of 1970s Brooklyn, the many, many dive bars of 1980s Manhattan, the comedy scene of the 1990s, and post-9/11 America. He mixes his incredibly candid and hilarious personal experiences with no-holds-barred observations to definitively decide, at least in his own mind, which stereotypes are funny, which stereotypes are based on truths, which have become totally distorted over time, and which are actually offensive to each group, and why.
As it pokes holes in the tapestry of fear that has overtaken discussions about race, The Coloring Book serves as an antidote to our paralysis when it comes to laughing at ourselves . . . and others.
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Colin Quinn. (2015). The Coloring Book: A Comedian Solves Race Relations in America. Unabridged Hachette Audio.
Chicago / Turabian - Author Date Citation (style guide)Colin Quinn. 2015. The Coloring Book: A Comedian Solves Race Relations in America. Hachette Audio.
Chicago / Turabian - Humanities Citation (style guide)Colin Quinn, The Coloring Book: A Comedian Solves Race Relations in America. Hachette Audio, 2015.
MLA Citation (style guide)Colin Quinn. The Coloring Book: A Comedian Solves Race Relations in America. Unabridged Hachette Audio, 2015.
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- From former SNL "Weekend Update" host and legendary stand-up Colin Quinn comes a controversial and laugh-out-loud investigation into cultural and ethnic stereotypes.
Colin Quinn has noticed a trend during his decades on the road-that Americans' increasing political correctness and sensitivity have forced us to tiptoe around the subjects of race and ethnicity altogether. Colin wants to know: What are we all so afraid of? Every ethnic group has differences, everyone brings something different to the table, and this diversity should be celebrated, not denied. So why has acknowledging these cultural differences become so taboo?
In The Coloring Book, Colin, a native New Yorker, tackles this issue head-on while taking us on a trip through the insane melting pot of 1970s Brooklyn, the many, many dive bars of 1980s Manhattan, the comedy scene of the 1990s, and post-9/11 America. He mixes his incredibly candid and hilarious personal experiences with no-holds-barred observations to definitively decide, at least in his own mind, which stereotypes are funny, which stereotypes are based on truths, which have become totally distorted over time, and which are actually offensive to each group, and why.
As it pokes holes in the tapestry of fear that has overtaken discussions about race, The Coloring Book serves as an antidote to our paralysis when it comes to laughing at ourselves . . . and others. - reviews
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- content: Colin Quinn tackles issues of race and ethnicity in this exploration of stereotypes, comedy, and political correctness. As a narrator, he proves reasonably good though his narration pales in comparison to his ability on stage. His deep, raspy voice and New York accent capture his prose well, but he comes across as reading the text. This is a problem that some artists have when moving from live performances to recorded ones. His writing has energy and good timing, but his delivery seems unnatural. Nonetheless, he provides insights on how we deal with race and stereotypes. L.E. © AudioFile 2015, Portland, Maine
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May 15, 2015
The comedian and former Saturday Night Live Weekend Update host tackles race and political correctness. At a certain point in this often jarring meditation about growing up in 1970s Brooklyn, the author warns readers that many of them will probably come away thinking he's an ass. He may be right about that. There's little in this Irish comic's impressions about nearly any race that hasn't already been heard many times before. It's true that Quinn's over-the-top generalizations about particular cultural predilections are clearly more comic than critique, but by now, hearing yet again how the Irish are like this, or the Asians are like that, and so on, will strike many as tiresome. Fortunately, Quinn doesn't rely too heavily on his ethnic jabs to score points, choosing wisely to expend just as much energy, if not more, on self-deprecation. Whether recounting a drunken and deranged attempt to rip off a couple of sex workers secretly armed with rock-lined handbags or a particularly ugly incident groping a sad and lonely shut-in during a liquor store home delivery, Quinn demonstrates a laudable frankness that probably didn't automatically manifest itself once he sobered up. "Talk about beer muscles," he writes. "When I drank I was convinced I was an intellectual martial arts champion. I swaggered around the streets of New York City like I owned them." The heat-cooked asphalt and glass-strewn streets that helped shape the author's former hard-living ways are, indeed, a richly textured font of engrossing escapades. Quinn excels best when recounting his alcohol-soaked adventures, although he never spends enough time in any one locale before he's off again characterizing what he has found to be the best and worst in its diverse inhabitants. Dark and gritty comedy served with just a little too much rancor. Quinn squanders a promising opportunity in a memoir that ping-pongs between bar-stool pontification and bad-boy confessional.COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.
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Colin Quinn has noticed a trend during his decades on the road-that Americans' increasing political correctness and sensitivity have forced us to tiptoe around the subjects of race and ethnicity altogether. Colin wants to know: What are we all so afraid of? Every ethnic group has differences, everyone brings something different to the table, and this diversity should be celebrated, not denied. So why has acknowledging these cultural differences become so taboo?
In The Coloring Book, Colin, a native New Yorker, tackles this issue head-on while taking us on a trip through the insane melting pot of 1970s Brooklyn, the many, many dive bars of 1980s Manhattan, the comedy scene of the 1990s, and post-9/11 America. He mixes his incredibly candid and hilarious personal experiences with... - sortTitle
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