The Song Poet: A Memoir of My Father
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From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America
In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes.
Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine.
Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story — of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.
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Kao Kalia Yang. (2016). The Song Poet: A Memoir of My Father. Henry Holt and Co.
Chicago / Turabian - Author Date Citation (style guide)Kao Kalia Yang. 2016. The Song Poet: A Memoir of My Father. Henry Holt and Co.
Chicago / Turabian - Humanities Citation (style guide)Kao Kalia Yang, The Song Poet: A Memoir of My Father. Henry Holt and Co, 2016.
MLA Citation (style guide)Kao Kalia Yang. The Song Poet: A Memoir of My Father. Henry Holt and Co, 2016.
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- bioText: Kao Kalia Yang is the author of The Song Poet, which received the 2017 Minnesota Book Award and was a finalist for the National Book Critics Circle Award, the Chautauqua Prize, the PEN USA Literary Award, and the Dayton Literary Peace Prize. Her previous book, The Latehomecomer, also received the Minnesota Book Award. Her children's books include A Map into the World, which won the Minnesota Book Award, and The Shared Room. Yang, a regular contributor to NPR's On Being, lives in Saint Paul.
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From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America
In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes.
Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine.
Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story — of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.- reviews
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- source: Library Journal (starred review)
- content: "A stellar memoir . . . Yang powerfully demonstrates that much of what society doesn't hold valuable--gifts and talents that don't translate into monetary or educational success--still carry immense value, if only we choose to see it."
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- source: Jane Hamilton-Merritt, author of Tragic Mountains: The Hmong, the Americans, and the Secret Wars for Laos, 1942–1992
- content: "Kao Kalia Yang allows us to hear the whispered sorrows and hopes of those transplanted onto foreign soil among strangers. I predict that this mystical and historical memoir--of her Hmong family's suffering in Laos, of the rigors and fears of their life in a refugee camp, of the shock of finding themselves unprepared for city living in Minnesota, and of the pain of discrimination--will become a classic."
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January 11, 2016
In this beautifully-written memoir, Yang (The Latehomecomer: A Hmong Family Memoir) tells the story of her father, a poet who composed kwv txhiaj in his native Hmong. These songs, she says, taught her how the human heart operates, shielded her from poverty, and showed her windows where she had only ever seen walls. Yang pitches the story as a narrative of how a song poet came to be, from his childhood in Laos, to his flight to America as young adult, to his life there as the father of many. Surprisingly, however, she hardly provides any songs at all, or shows any interest in them after the book’s introductory pitch. There’s no mention of songs created by the child in Laos who might have first experimented with words as he played with his brother, nor by the father who might have used his songs to teach his children what it means to be an immigrant and factory worker. That aside, the story is engrossing as a straight-up narrative of this spirited man’s life. The daughter’s love for her father is described in words as gorgeous as those that (she assures us) the song poet often spoke.
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March 1, 2016
A daughter tells her father's story in his own voice. Award-winning memoirist Yang (The Latehomecomer: A Hmong Family Memoir, 2008) focuses on her father, Bee Yang, who transformed his experiences and family's history into songs. Yang and her siblings grew up surrounded by them: "my father sings his songs, grows them into long, stretching stanzas of four or five...raps, jazzes, and sings the blues when he dwells in the landscape of traditional Hmong song poetry." Bee gave up singing after his mother died, in 2003, but as an adult, the author discovered the one cassette he had recorded and was struck by the songs' "humor, irony, astute cultural and political criticism." Yang's evocative, often moving memoir, told from Bee's perspective, reveals a life of struggle, hardship, deep love, and strong family ties. Bee was born during the Laotian civil war and grew to adulthood during the French occupation and the Vietnam War; "more and more men in uniforms entered our lives," he remembered, and Hmong men and boys were recruited to aid the Americans. In 1975, when the Americans left Laos and the communists took over, "genocide was declared against the Hmong for helping the Americans." Yang recounts in harrowing detail the persecution Bee and his community suffered. By 1980, Bee, his young wife, and baby daughter ended up in Ban Vinai Refugee Camp, in Thailand, where their second daughter, the author, was born. During the eight years the family lived there, Bee was forced by Thai soldiers to transport opium "from one uniformed guard to the next," a mission he hated but carried out with "fear and shame." At last, they came to America, where Bee took arduous factory work to support his growing family. Although he encountered prejudice and exploitation, he never lost hope for his children's futures. Yang's gentle prose captures her father's sufferings and joys and serves as a loving celebration of his spirit.COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.
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Starred review from June 1, 2016
Yang's second stellar memoir (after the The Latehomecomer) takes readers back to the mountains of Laos, to her father's birth and childhood, through the French occupation, and finally to the turbulent war that led to the family fleeing through the jungle to a refugee camp in Thailand and ultimately landing in the American city of St. Paul. Yang writes first in the voice of her father; the second part reveals her own perspective, that of a woman learning to find words in both the language of her Hmong heritage and of her adopted country. These two points of view balance each other and the result captures the raw emotions of grief, joy, fear, and love. VERDICT Yang powerfully demonstrates that much of what society doesn't hold valuable--talents that don't translate into monetary or educational success--still carry immense value. [See Memoir, 2/17/16; ow.ly/Tet6300b88f.]--RD
Copyright 2016 Library Journal, LLC Used with permission.
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March 15, 2016
Yang, author of The Latehomecomer: A Hmong Family Memoir (2008), builds upon that beautiful chronicle in this hauntingly lyrical tribute to her beloved father. As she recounts his life as a fatherless child, a refugee, and a stranger in a strange land, a portrait emerges of a spiritual man who heals his soul and elevates the lives of his children with the rich artistry of his homespun compositions. To put it in accessible American terms, Bee Yang raps, jazzes, and sings the blues when he dwells in the landscape of traditional Hmong song poetry. Keeping alive the stories, the history, and the culture of his homeland, he passes them along to his children through an art form steeped in centuries of tradition and lore. Barely keeping poverty at bay, he makes sure his family warm and secure through the bitterly cold Minnesota winters, paying homage to their collective heritage until time and bitter circumstances steal the songs. A memorable and moving immigrant story.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)
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From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America
In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes.
Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp....- sortTitle
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