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I Love a Broad Margin to My Life
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Knopf Doubleday Publishing Group 2011
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Description

In her singular voice—humble, elegiac, practical—Maxine Hong Kingston sets out to reflect on aging as she turns sixty-five.
Kingston’s swift, effortlessly flowing verse lines feel instantly natural in this fresh approach to the art of memoir, as she circles from present to past and back, from lunch with a writer friend to the funeral of a Vietnam veteran, from her long marriage (“can’t divorce until we get it right. / Love, that is. Get love right”) to her arrest at a peace march in Washington, where she and her "sisters" protested the Iraq war in the George W. Bush years. Kingston embraces Thoreau’s notion of a “broad margin,” hoping to expand her vista: “I’m standing on top of a hill; / I can see everywhichway— / the long way that I came, and the few / places I have yet to go. Treat / my whole life as if it were a day.”
On her journeys as writer, peace activist, teacher, and mother, Kingston revisits her most beloved characters: she learns the final fate of her Woman Warrior, and she takes her Tripmaster Monkey, a hip Chinese American, on a journey through China, where he has never been—a trip that becomes a beautiful meditation on the country then and now, on a culture where rice farmers still work in the age-old way, even as a new era is dawning. “All over China,” she writes, “and places where Chinese are, populations / are on the move, going home. That home / where Mother and Father are buried. Doors / between heaven and earth open wide.”
Such is the spirit of this wonderful book—a sense of doors opening wide onto an American life of great purpose and joy, and the tonic wisdom of a writer we have come to cherish.

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Format:
Kindle Book, OverDrive Read
Street Date:
01/18/2011
Language:
English
ISBN:
9780307595331
ASIN:
B004C43FYI

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Citations

APA Citation (style guide)

Maxine Hong Kingston. (2011). I Love a Broad Margin to My Life. Knopf Doubleday Publishing Group.

Chicago / Turabian - Author Date Citation (style guide)

Maxine Hong Kingston. 2011. I Love a Broad Margin to My Life. Knopf Doubleday Publishing Group.

Chicago / Turabian - Humanities Citation (style guide)

Maxine Hong Kingston, I Love a Broad Margin to My Life. Knopf Doubleday Publishing Group, 2011.

MLA Citation (style guide)

Maxine Hong Kingston. I Love a Broad Margin to My Life. Knopf Doubleday Publishing Group, 2011.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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title
I Love a Broad Margin to My Life
fullDescription
In her singular voice—humble, elegiac, practical—Maxine Hong Kingston sets out to reflect on aging as she turns sixty-five.
Kingston’s swift, effortlessly flowing verse lines feel instantly natural in this fresh approach to the art of memoir, as she circles from present to past and back, from lunch with a writer friend to the funeral of a Vietnam veteran, from her long marriage (“can’t divorce until we get it right. / Love, that is. Get love right”) to her arrest at a peace march in Washington, where she and her "sisters" protested the Iraq war in the George W. Bush years. Kingston embraces Thoreau’s notion of a “broad margin,” hoping to expand her vista: “I’m standing on top of a hill; / I can see everywhichway— / the long way that I came, and the few / places I have yet to go. Treat / my whole life as if it were a day.”
On her journeys as writer, peace activist, teacher, and mother, Kingston revisits her most beloved characters: she learns the final fate of her Woman Warrior, and she takes her Tripmaster Monkey, a hip Chinese American, on a journey through China, where he has never been—a trip that becomes a beautiful meditation on the country then and now, on a culture where rice farmers still work in the age-old way, even as a new era is dawning. “All over China,” she writes, “and places where Chinese are, populations / are on the move, going home. That home / where Mother and Father are buried. Doors / between heaven and earth open wide.”
Such is the spirit of this wonderful book—a sense of doors opening wide onto an American life of great purpose and joy, and the tonic wisdom of a writer we have come to cherish.
reviews
      • premium: False
      • source: San Francisco Book Review
      • content: "A brilliantly penned memoir written in a fluid, narrative poetry genre. . . . Gritty...and energetic all in one breath."
      • premium: False
      • source: Post and Courier
      • content: "Delights as an unconventional, intimate and intensely personal life story. . . . Forcing a slower, calmer contemplation of Hong Kingston's words. . . . Moving. . . . Whether she's recalling the birth of her son or the time she was arrested for protesting the Iraq war, Kingston's memories are pungent and vivid."
      • premium: False
      • source: Time Out New York
      • content: "She leads the reader on a tour of her native China, her rich language often matching the lushness of the landscape itself. . . . Effortlessly transitions from personal experience to the worlds of her characters. . . . As much an examination of the nature of time and aging as it is an exploration of cultural identity and origin, I Love a Broad Margin to my Life contains both moments of dark alienation and buoyant transcendence."
      • premium: False
      • source: Los Angeles Times
      • content: "Blurring the lines among poetry, fiction, and memoir. . . . A meditation on form and formlessness, on meaning and identity, and how the most essential truths often exist outside the boundaries, in something of an ur-state."
      • premium: False
      • source: The Boston Globe
      • content: "She seems at peace with the necessary sacrifices and negotiations she's made as a writer, wife and mother. Yet she's also acutely aware of her mortality and determined to carve out the free time to which she feels entitled at last. . . . Written in a dreamlike, impressionistic style. . . . Takes on a kind of mythical quality."
      • premium: False
      • source: Heller McAlpin, NPR
      • content: "Engaging. . . . Startling."
      • premium: False
      • source: Hyphen Magazine
      • content: "A sprawling, globe-hopping long poem. . . . Kingston is thinking deeply about the act of writing itself. . . . I found myself compelled by Kingston's efforts to capture the disjointed landscape wrought by globalization. . . . Touching. . . . Offers its readers a memorable set of images, narratives, and questions that continue to push against the foundations of memoir, just as her earlier work, The Woman Warrior, did four decades earlier."
      • premium: False
      • source: San Francisco Book Review
      • content: "A brilliantly penned memoir. . . . She shares cultural experiences with a primal pentameter that may equal or surpass anything her readers have ever experienced."
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      • source: Publisher's Weekly
      • content:

        November 15, 2010
        Told in free verse reminiscent of one of Kingston's idols, Walt Whitman, this uncommon memoir of the artist at 65 is informed by the wide margins on the pages of the Chinese editions of her works (margins her father used to write in). Kingston revisits characters, like Wittman Ah Sing, the monkey from her first novel, and themes from her books: her pacifist, feminist activism; the challenge of stereotypes; East and West. Though this homage to aging, with wisdom gained through a freewheeling reflection on family, the past, fate (karma, we're reminded, means "work," not "doom"), and self-reliance (which is a translation of Kingston's Chinese name, Ting Ting), often rambles, it also has the cohesion and intricate logic of a musical composition. The artist is a mental traveler, presenting her life as a dreamlike journey that culminates in a listing of "my dead," some 50 names, which both pulls Kingston toward oblivion ("Each one who dies, I want to go with you") and inspires seven reasons to live. The desire to create recedes ("I regret always writing, writing") as the memoirist sees herself becoming "reader of the world," a "surprise world" that frees her from the need to create it with words.

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Kingston’s swift, effortlessly flowing verse lines feel instantly natural in this fresh approach to the art of memoir, as she circles from present to past and back, from lunch with a writer friend to the funeral of a Vietnam veteran, from her long marriage (“can’t divorce until we get it right. / Love, that is. Get love right”) to her arrest at a peace march in Washington, where she and her "sisters" protested the Iraq war in the George W. Bush years. Kingston embraces Thoreau’s notion of a “broad margin,” hoping to expand her vista: “I’m standing on top of a hill; / I can see everywhichway— / the long way that I came, and the few / places I have yet to go. Treat / my whole life as if it were a day.”
On her journeys as writer, peace activist, teacher, and mother, Kingston...
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