JPod
(OverDrive MP3 Audiobook, OverDrive Listen)
A lethal joyride into today’s new breed of technogeeks, Douglas Coupland’s new novel updates Microserfs for the age of Google.
Ethan Jarlewski and five co-workers are bureaucratically marooned in JPod, a no-escape architectural limbo on the fringes of a massive Vancouver video game design company.
The six jPodders wage daily battle against the demands of a bone-headed marketing staff, who daily torture employees with idiotic changes to already idiotic games. Meanwhile, Ethan’s personal life is shaped (or twisted) by phenomena as disparate as Hollywood, marijuana grow-ops, people-smuggling, ballroom dancing, and the rise of China. JPod’s universe is amoral and shameless–and dizzyingly fast-paced. The characters are products of their era even as they’re creating it. Everybody in Ethan’s life inhabits a moral gray zone. Nobody is exempt, not even his seemingly straitlaced parents or Coupland himself. Full of word games, visual jokes, and sideways jabs, this book throws a sharp, pointed lawn dart into the heart of contemporary life. JPOD is Douglas Coupland at the top of his game.
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Douglas Coupland. (2007). JPod. Unabridged Books on Tape.
Chicago / Turabian - Author Date Citation (style guide)Douglas Coupland. 2007. JPod. Books on Tape.
Chicago / Turabian - Humanities Citation (style guide)Douglas Coupland, JPod. Books on Tape, 2007.
MLA Citation (style guide)Douglas Coupland. JPod. Unabridged Books on Tape, 2007.
Library | Owned | Available |
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Shared Digital Collection | 1 | 1 |
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- bioText: DOUGLAS COUPLAND is a Canadian writer, visual artist, and designer. His first novel is the 1991 international bestseller Generation X: Tales for an Accelerated Culture, still celebrated for its biting humour and cultural relevancy thirty years since initial publication. He has published fourteen novels, two collections of short stories, and eight nonfiction books. He has written and performed for England's Royal Shakespeare Company, is a columnist for The Financial Times of London, and a frequent contributor to The New York Times. In 2000 Coupland amplified his visual art production and has recently had two separate museum retrospectives, Everywhere Is Anywhere Is Anything Is Everything at the Vancouver Art Gallery, The Royal Ontario Museum, and the Museum of Contemporary Canadian Art, and Bit Rot at Rotterdam's Kunstinstituut Melly and Munich's Villa Stücke. In 2015 and 2016 Coupland was artist in residence in the Paris Google Cultural Institute. In May 2018, his exhibition on ecology, Vortex, opened at the Vancouver Aquarium. Coupland is a member of the Royal Canadian Academy, an Officer of the Order of Canada, an Officer of the Order of British Columbia, a Chevalier de l'Ordre des Arts et des Lettres, and a recipient of the Lieutenant Governor's Award for Literary Excellence.
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- Very evil…very funny.
A lethal joyride into today’s new breed of technogeeks, Douglas Coupland’s new novel updates Microserfs for the age of Google.
Ethan Jarlewski and five co-workers are bureaucratically marooned in JPod, a no-escape architectural limbo on the fringes of a massive Vancouver video game design company.
The six jPodders wage daily battle against the demands of a bone-headed marketing staff, who daily torture employees with idiotic changes to already idiotic games. Meanwhile, Ethan’s personal life is shaped (or twisted) by phenomena as disparate as Hollywood, marijuana grow-ops, people-smuggling, ballroom dancing, and the rise of China. JPod’s universe is amoral and shameless–and dizzyingly fast-paced. The characters are products of their era even as they’re creating it. Everybody in Ethan’s life inhabits a moral gray zone. Nobody is exempt, not even his seemingly straitlaced parents or Coupland himself. Full of word games, visual jokes, and sideways jabs, this book throws a sharp, pointed lawn dart into the heart of contemporary life. JPOD is Douglas Coupland at the top of his game. - reviews
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- source: Quill & Quire
- content: "Coupland is an accomplished and talented writer whose books are perennial bestsellers."
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- source: The New York Times Book Review
- content: "[JPod] is a work in which his familiar misgivings about life on the technological cusp are again invoked, but also one in which the skills he's been developing as a novelist pay off, where his satirical streak and his social consciousness finally stop fooling around with each other and settle down together…. JPod is a sleek and necessary device: the finely tuned output of an author whose obsolescence is thankfully years away."
- premium: False
- source: The Globe and Mail
- content: "JPod is a seriously funny book,…a rolling thunder of sustained comedy, first page to last, as it ends up, and skewers the shamelessness and amorality that define our era…. Coupland's timing is impeccable: JPod is the right book at the right time."
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- source: –Kirkus (starred review)
- content: "Coupland's. . .most accomplished work to date. . .could be one of the first great novels of the new century."
- premium: False
- source: Los Angeles Times
- content: "Eleanor Rigby. . .might prove to be among the best fiction of this new year."
- premium: False
- source: Elle (Canada)
- content: "What makes him hit us again and again, as though he were pelting meteorites from on high, is his ability to connect with ordinary human emotions and to make them profound."
- premium: False
- source: Sunday Herald (UK)
- content: "A leap sideways from the acid irony which has shaded some of Coupland's earlier novels. Instead, from the pen of one of the coolest authors on the planet has come a work of suffusing humanity."
- premium: False
- source: The Hamilton Spectator
- content: "The leading literary voice of the most cynical generation lets it all out in a blaze of spirituality, terror, high comedy and soul-searching, and does it all in a way that is caring and clever, heartbreaking and hilarious, tough and tender. . .not only Coupland's best novel, but also one of the best of the year."
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- content: In his quasi-sequel to MICROSERFS, Copland tells the story of six co-workers at a Vancouver video game development company. They long to leave their jobs after completing the latest game, but before they can do that, they find themselves at a dead end. The JPod crew play juvenile tricks on one another in a game of one-upmanship. Marc Cashman reads all the spam email in an uninflected voice that adds to the satire of the story. Special bright spots are Ethan's biker-killing mother and wannabe- actor father, who add humor that edges into slapstick. If you like computer geek novels, you'll smile over the absurdity of all this. M.B.K. (c) AudioFile 2006, Portland, Maine
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February 20, 2006
Coupland returns, knowingly, to mine the dot-com territory of Microserfs
(1996)—this time for slapstick. Young Ethan Jarlewski works long hours as a video-game developer in Vancouver, surfing the Internet for gore sites and having random conversations with co-workers on JPod, the cubicle hive where he works, where everyone's last name begins with J. Before Ethan can please the bosses and the marketing department (they want a turtle, based on a reality TV host, inserted into the game Ethan's been working on for months) or win the heart of co-worker Kaitlin, Ethan must help his mom bury a biker she's electrocuted in the family basement which houses her marijuana farm; give his dad, an actor desperately longing for a speaking part, yet another pep talk; feed the 20 illegal Chinese immigrants his brother has temporarily stored in Ethan's apartment; and pass downtime by trying to find a wrong digit in the first 100,000 places (printed on pages 383–406) of pi. Coupland's cultural name-dropping is predictable (Ikea, the Drudge Report, etc.), as is the device of bringing in a fictional Douglas Coupland to save Ethan's day more than once. But like an ace computer coder loaded up on junk food at 4 a.m., Coupland derives his satirical, spirited humor's energy from the silly, strung-together plot and thin characters. Call it Microserfs 2.0
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Ethan Jarlewski and five co-workers are bureaucratically marooned in JPod, a no-escape architectural limbo on the fringes of a massive Vancouver video game design company.
The six jPodders wage daily battle against the demands of a bone-headed marketing staff, who daily torture employees with idiotic changes to already idiotic games. Meanwhile, Ethan’s personal life is shaped (or twisted) by phenomena as disparate as Hollywood, marijuana grow-ops, people-smuggling, ballroom dancing, and the rise of China. JPod’s universe is amoral and shameless–and dizzyingly fast-paced. The characters are products of their era even as they’re creating it. Everybody in Ethan’s life inhabits a moral gray zone. Nobody is exempt, not even his seemingly straitlaced parents or Coupland... - sortTitle
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