Bea Abbot runs a domestic agency that doesn't 'do' murder.
There's nothing sinister about Zander's request for Bea to accompany him on an errand to a grieving widow, but it's awkward because it was Zander who'd exposed the scam that his boss Denzil had been running on the Tudor Housing Trust...after which Denzil had, unexpectedly, died. His widow, 'Lady' Honoria, turns out to be a bullying racist who wants to sue the Trust for defamation...

An Abbot Agency Mystery
While Bea Abbot worries that she's lost control of her domestic agency, she's asked to find some domestic help for an eccentric little musician falsely accused of murder. She doesn';t realize how dangerous this might be until Jeremy, fleeing from attempts on his life, lands up on her doorstep. Researching the gang who'd used an attractive girl to entrap Jeremy, Bea finds traces of them throughout high society...

While looking into the Holland family business empire, Bea discovers that there is trouble both with the family fortune and within the family.

When the party wall dividing the gardens of Bea Abbot and her fiancé Leon collapses, amongst the ensuing chaos a human skeleton is unearthed in Leon's garden. Having only just purchased the property, Leon and Bea set out to discover more about the house's previous owners. Before they can proceed in their investigation however, the pair fall victim to an elaborately-laid trap. With her home, livelihood and the agency under threat, Bea appears to be...

"Bea Abbot is alarmed when she overhears three men plotting a murder outside her agency, then discovers a man left for dead out in the freezing cold. Horrified, Bea offers him sanctuary at her house, but he's reluctant to reveal his identity. Who is he, and why did those men want to kill him? Bea must uncover the truth before they strike again..."--